Somewhere in the late 80's, music took a marketable turn to hell. CD's were making the LP a thing of the past, sonics followed and we were force-fed a new medium; that was when the music died...
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I read an article yesterday about the music industry's woes and saw that the only format that was experiencing growth was vinyl, the 7" has caught on in the UK and kids are snappin' up the singles. A bit of a retro/redux of the little 45 that could, did and will do again.
I remember one of the first CD's that I bought where I had a definitive reference, after a thousand listens on vinyl, I purchased Pink Floyd's "The Wall" on CD. The songs were all there, a really "clean" sound, but something was missing, I couldn't really put my finger on it but I sensed some sterility, some magic lost. The thump wasn't there. I relegated it to senility and a loss of hearing, in my mid-twenties, and continued to follow the flock to the digital age.
I distinctly remember an interview with Anita Baker about this time, when all the big artists proudly displayed "DDD" on their CD's to show that the original masters were digital, the mix was digital and the final product was digital. Her CD's were "AAD" (analog, analog, digital) and when asked why, she replied, "My voice ain't digital." I got an early clue.
TMI for audiophiles betwen the asterisks:
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The key to this question is the difference between a digital and an analog recording. Natural sound is by definition analog. When a CD recording is created, this analog is sound is digitized. To do this, they take a lot of snapshots of the analog sound. For a CD recording they take 44,100 snapshots in a minute and the technology guesses or surmises at what was in-between. These snapshots are then converted to digital information with a certain precision. For a CD recording this precision is 16 bits which means that every one of the 44,100 snapshots needs to be converted into one of the 65,536 (2^16) possible values.
You can probably see where I am going: by definition a digital recording doesn't include all the sound information. You could visualize a CD recording as a really large chest with a lot of drawers. Because the number of snapshots that are taken are not infinite (the maximum is 44,100 per minute), the process of taking snapshots results in the loss of information. Information is further lost because each of these snapshots must be made to fit in one of the 65,536 drawers of the chest.
A record player which plays LP’s is strictly analog. A vinyl record has a groove carved into it that mirrors the original sound's waveform. The record player then transforms this groove to an analog sound signal which can be fed into an amplifier. In this process, no information can be lost. No snapshots need to be taken and the sound doesn't need be converted to one of the possible 65,536 values. There basically is an infinite number of 'snapshots' and 'possible values'.
It even gets worse, much worse, when you bring MP3, Ipod, streaming or other technological 'advances' into the picture.
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So, today, I bought the new White Stripes, 'Icky Thump' on vinyl and Mary, Mother of Jesus, what a ride!
By the way, it's a gatefold double-album that is just beggin' to help with a hog-leg...must go 'shopping' again soon

:!)
A review:
The White Stripes are back with the most bombastic album they've ever produced! While revealing the band's roots in American folk music, Icky Thump is an explosive, revolutionary assault that brings together garage rock, every blues style of the past 100 years, nouveau flamenco, Jack White's fastest guitar solo ever recorded, hard country, speed metal, a slide guitar epic, surf music, spoken word and even bagpipes to create a modern rock 'n' roll masterpiece.
I have a new toy on the way thanks to a bunch of AmEx points and those are thanks to Li'l Helio (it's his 8 month birthday today.)

The needle hits the vinyl, "icky thump," and I'm off once again.
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